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    Pepperland, live at Eagle River Books, Bainbridge Island, WA, May 15, 2014. This is a short (rather raw) cut from Pepper’s psychedelic night journey (that self-indulgent 3 record set) towards the end of the book. This one’s called “On a Bend in the River.” Don’t worry, there’s no long drum solo… Think the Ramones meet Jane Fonda meets Bill Gates. The Guts By Roddy Doyle Viking (This review was originally published in The Washington Independent Review of Books on February 18, 2014.) So, Roddy Doyle. Pepperland – the novel – will be published in the spring of 2013 by Running Meter Press, an imprint of Big Earth Publishing of Boulder, CO! Another venerable Irishman with the gift of gab, a fine writer who charmed the hell out his readers with his first novel, The Commitments (1989), a tale of the passion inspired by […] VJ: The Unplugged Adventures of MTV’s First Wave Gavin Edwards Atria Books The Kennedy Chronicles: The Golden Age of MTV Through Rose-Colored Glasses Kennedy Thomas Dunne Books (This review originally appeared in the Washington Independent Review of Books) “We’re the reason you have no attention span. cheapest place to buy generic viagra The event was a blast and our shelter partner, Pet Project Rescue, saw a large benefit from it. Make sure you are following us on social media and if you have not already subscribed. There was a silent auction that offered lots of cool stuff from local restaurant gift cards to tickets to a Vikings game! We enjoyed some great food and drinks and met and talked to some wonderful people.

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    Ιt is well known that Zakynthos has been a cradle of literature and the arts; while the largest part of Greece tote under the Turkish yoke, other countries occupied Zakynthos throughout the centuries, thus our island was fortunate to evolve following purely Greek, and European influences, not hesitating to process ideas that were coming from the West. Sensing this intellectual freedom, the Zakynthians with their own unique artistic temperament were ready to accept the new ideas, and grow, to create one of the most important cultural centers of the modern Greek history. The civilization, which flourished in Zakynthos for a very long time, gave excellent examples, notably in the fields of theater, music, poetry, literature, dance, painting and architecture. Nowadays, apart from studying about the Zakynthian culture and arts, and coming across personalities such as Solomos, Kalvos and Foskolos, and terms like Omilies (a typical theatrical performance held at villages), Arekia ( a unique musical expression), one may actually join the various cultural events that are being held while on holidays! There are special traditions kept during Christmas, December’s celebration of Agios Dionysios, our unique Easter celebrations, and of course the Carnival. Nevertheless, during the summer months that you’d be enjoying your holidays at Castelli, one may take up the chance to one of the concerts or plays at Zakynthos Open Theater, or simply visit one of the festivities, at the heart of traditional Greece, that are usually held, such as: Some of the festivities mentioned above are beautifully colored with music, typical dances and delicacies, or religious processions and visitors from the whole country! We’ll be more than happy to provide you with relevant information, if you’d like to visit these festivities! “The city is famous for the Clos Lucé manor house where Leonardo da Vinci lived (and ultimately died) at the invitation of King Francis I of France, whose Château d’Amboise, which dominates the town, is located just 500 meters away. The narrow streets contain some good examples of timbered housing.” I was in Amboise for only 1 night and the next morning, so I didn’t have the chance to really capture all of Amboise. However, I think I went away with some nice shots and I probably had the best pizza of my whole trip there: P Below are a few of my best shots that I took of Amboise, some are processed in Photomatix for HDR: This is a shot of the ‘square’ below the Château d’Amboise and its where the main restaurants are, and they all have out door seating so you can gaze up at the towering walls of the Château d’Amboise. I used a slower shutter speed of 1/20 second, so I had to use a conveniently placed mail-box as a nice sturdy place to put my camera, I then adjusted the levels to bring out the shadows a little. Unfortunately this photo has a little motion blur in the details. I was shooting without a tripod, which I wish I had, and advise anyone to bring a tripod along with them even those pocket sized ones, when shooting at dusk/night. The Chapel of Saint-Hubert, where Leonardo Da Vinci is buried (inside), is high above the streets of Amboise and within the Château’s walls. I shot this in RAW and converted into a HDR-Tonemapped image with minor adjusts of the levels, to bring out the detail in the stone carvings.

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    Sharon Irish slirish (at) gmail (dot) com DEGREES 1985 Ph D, Northwestern University, Evanston, Illinois, Art History 1982 MA, Northwestern University, Evanston, Illinois, Art History 1976 BA, University of New Mexico, Albuquerque, New Mexico cum laude in Art, magna cum laude in General Studies CURRENT Retired, independent researcher SELECTED LECTURES AND PRESENTATIONS “Stephen Willats’ , New York City, February 15, 2017 “Stephen Willats and the Performance of Information Flows,” Computer Arts Society, London, U. K., May 9, 2016 ”Predictive and Prescriptive Thinking: Considering Stephen Willats,” Anticipation Research Group, University of Bristol, Bristol, U. K., April 28, 2016 “Coded Landscapes: Stephen Willats’ Place-Based Work in the UK,” Museo Tamayo, México, D. F., February 10, 2015 “Fem Tech Net,” With Radhika Gajjala and Alexandra Juhasz, Fem Tech Net Video Dialogue on “Place” November 14, 2013, Pitzer College, Los Angeles, CA Central Library Reinvented, May 8, 2013, St. Louis Public Library” Network 45-plus: Post-War Architecture in Europe: Community Spaces: Conception, Appropriation, Identity, September 8, 2012, Technische Universität Darmstadt, Germany, “Two Doves to Tower Mosaic: Artists in Public at Warwick and Brindley Estate, London” Visual Studies Colloquium, November 3, 2011, Illinois State University, Bloomington-Normal, IL, “Positionality, Performance, Participation: The Art of Suzanne Lacy” Rewire: the 4th International Conference on Media Art Histories, September 28-30, 2011, Liverpool, UK, “The Socio-spatial Practice of Artist Stephen Willats” Tryk Tryk Tryk Gallery, June 18, 2011, Copenhagen, Denmark, “Traversing Art: Works by Suzanne Lacy” (book talk) Erasing Boundaries: Service-Learning in Landscape Architecture and Architecture, April 30, 2011, New York City [Poster] “Spaces of Connection: Designing a High-Tech Collaborative Space for Youth,” with Deven Gibbs, Martin Wolske and Debarah Mc Farland Computers, Information and Society Special Interest Group, Society for the History of Technology, October 3, 2010, Tacoma, Washington, “Meta Filter: Coming to Agreement with Interactive Computer Technology” Center on Democracy in a Multiracial Society, University of Illinois, Urbana-Champaign, April 7, 2010, Roundtable, “Diversity and Democracy” conference, with Sam Smith, Ken Salo, and Ryan Griffis, “Reflecting on Campus-Community Interactions: Arts, Activism and Public Memory” Urbana Free Library, March 17, 2010, Urbana, IL, “Concepts in Public: The Art of Suzanne Lacy” (book talk) College Art Association Annual Meeting, February 2010, Chicago, IL, “Aspects of the Civic: Chicago’s Daley Center and Plaza” Community Informatics Initiative Research Series, January 27, 2010, Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign, “Imperfect Community” GRANTS 2018, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Publication Grant, “Stephen Willats and the Social Function of Art: Experiments in Cybernetics and Society” 2015, Creative Capital | Warhol Foundation Art Writers Grant Program, Stephen Willats, 1970-2012 2015, Paul Mellon Centre for Studies in British Art, Stephen Willats, 1970-2012 2014, Colston Research Fellowship, Institute of Advanced Studies, University of Bristol (UK), Department of Drama: Theatre, Film & Television, “In the Margins? “Art in Public at Warwick and Brindley Estate, London.” In Community Spaces: Conception – Appropriation – Identity. Local Knowledge and Self-Organisation” 2011, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Research and Development Grant, “The Socio-spatial Practice of Artist Stephen Willats” 2003-2005, University of Illinois Research Board, “The Embodied Art of Suzanne Lacy” 2000-2001, University of Illinois Research Board, “Layers in the Loop: ‘Full Circle’ by Suzanne Lacy” PUBLICATIONS: Winner of David Gebhard Book Award of the Minnesota Chapter of the Society of Architectural Historians, 2000; Winner of Publication Award, Metropolitan Chapter of the Victorian Society in America, 2000; Finalist, Minnesota Center for the Book Award in History, 2000; published as e-book by Random House, 2010 Edward N. Edited by Maren Harnack, Tobias Michael Wolf, Sebastian Haumann, et al. (Berlin: ISR Impulse Online/Institut für Stadt- und Regionalplanung, 2015). “Spaces Of Connection: Implementing the Design of a High-Tech Learning Space for Youth.” In Community Matters: Service Learning and Engaged Design and Planning. Edited by Gabrielle Cody and Meiling Cheng (Routledge, 2015). Edited by Mallika Bose, Cheryl Doble, Paula Horrigan, and Sigmund Shepp. (refereed) “‘Great Gray Buildings’: The United States Army Supply Base in Brooklyn, New York.” Pp. (invited) “Hierarchies in the Circuitry: Women, Information Technology and Scholarship (WITS) at Illinois.” Technology’s Stories [online publication of the Society for the History of Technology] (November 2013). “Structures of Participation: Performing Local Knowledge.” 49:1(January 2008): 202-214. Three Interviews on the Concept of Spatial Justice.” Producer and interviewer. Prednisone Sold Online Absolute anonymity - Sharon Irish buy valtrex cheap online Can You Buy Prednisone Over The Counter In Canada - Yes! Buy. 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